I’ve been busy remembering how to photograph scarfs and so I now have some shots to share of both my new fav pattern and that “rustic” (aka kinda scruffy) felted one from last year…
If you remember, this one had spacers when woven, and you can see it in how the weft is paired, but the overall result is this loose, raggedy texture which I find easy on the eye. I’ve also made my peace with what hot-felting did to the colours!
Next to be seen in the shop. Probably shouldn’t cause me as much excitement as it does…
I’ve had a bit over a week off work and there was a list of errands and chores as long as my arm to keep me busy. But then came the weather. I’m no one’s friend when it’s either humid or over 33C so, as I said in my scarf in a day post, I was hiding and weaving.
What I didn’t expect was that I’d weave quite this much!
I did a yarn audit in the middle of the week, so I have an excuse to buy more yarn… okay, technically it was to refresh my memory of what’s there, but the shopping part of my brain had an eye on whether the yarn store had space to grow (it does… squeeeeeeeee!). The other result of the audit was finding balls of colours that I don’t normally use.
I did a subtle pattern of stripes on the lemon scarf and it has turned out beautifully. It also got me thinking about patterns. I haven’t done one for a while…
So I’ve warped a colour pattern and, for something different, I threaded before winding on the warp (that’s the back beam in the foreground there).
The pattern will slow the weaving down some – not as much as being back at work though!
As it has been a bit hot (40C/140F) the past days, I hid in the aircon with my loom watching movies. Wonderful thing about having a rigid heddle loom… you only need a table and your lap anywhere in the house!
I’d actually measured and wound the warp onto the back beam earlier, but something was niggling at the back of my mind… I’d glimpsed a broken thread somewhere… note to self: don’t listen to extremely interesting podcasts while dressing the loom!
Anyway, I unwound and discovered:
The yarn gods were smiling though, because I had one more warp end than I needed so I could just pull this end out.
Despite the broken bit, it is gorgeous wool. I’ve not woven a vari that is a ply of multiple colours and then crossed it with itself. But this was the yarn I sampled last year. I’d thought it’d look good with purple – which it did – but against itself it was stunning.
What fascinates me, is the interplay of the colours… the long change of the variegation gives strong warp strips and these don’t blur or get muddied by a weft that’s going through the same changes.
Here is the scarf, just waiting for a wash, with the stripes still strong:
The colour twist gives it such a lively surface too. Up close it almost looks busy.
I’m looking forward to seeing if it changes at all when fulled!
So I finished the year with a bit of an experiment… and because I like doing two things at once it was a spacing and a felting experiment!
It started with my wondering what would happen if you wove a course web with spaces in the warp and weft. Would the yarn spread out when you fulled it to fill the spaces? I had a theory it would, but how evenly?
This is how I started:
The problem with doing a spaced web like this – with a heavy yarn (this was unplied but about a 12ply equiv) – is that the warp and weft will shift easily. That was why I decided to take it off the loom very carefully. So, I rolled it:
Obviously I didn’t want to have the same problem with the final cloth and that was why I decided to felt it lightly, so the web wouldn’t deform.
What I got was a lovely, squiggly cloth where the spaces were filled in and the weft tended to pair. You can see a bit more separation in the warp, but most of that went too:
You’ll also notice that the cream yarn went blueish. That’s because I decided the gentlest way to felt it was to boil it and that meant the dye spread itself around a bit!
I was pleased with the final cloth, which is rough and squiggly but quite even. The felting might need to go just a bit further, but overall the yarn is sticking in place nicely.
The only disappointment was how dull the colours are now… the dying of the cream gives it a dullness – the heat may also have affected the dyes and dulled them – so it’s not as pretty as I might have liked. Still, I like the end result.
Once I’ve finished it properly, I’ll do a post showing the final web in all its glory.
I think it was inevitable. The moment I decided to re-acquaint myself with all the weaving info I accrued in the first crazy months of my passion (obsession?), I fell head-first into what a weaver friend of mine calls wanting to weave ALL THE THINGS.
This is true: About 5 minutes into remembering why I have separate folders for ‘patterns’, ‘drafts’, ‘ideas’ and ‘techniques’ I was already planning about seven scarves. Then, of course it’s xmas and everything is on sale, so I bought yarn.
I have cupboards full of yarn. I did not need any more yarn. But… I didn’t feel I had the right yarn for the first thing I believe I’m going to weave just as soon as I give the craftroom a really, really thorough vacuuming. Yes well.
Good thing was (aside from getting 20% off) that I only bought two skeins and that’ll do for this new project. Of course it does mean that I now absolutely have to weave this project first, to justify buying the new yarn. Hmm… Have to love the way the brain works, don’t you?
Anyway, the yarn is Manos del Uruguay, Clasica 12 ply in a lovely blue and mauve vari and a natural cream/white.
And what will be the fate of this lovely yarn? You’ll have to wait and see. It’s a bit of an experiment, so it could all go very badly, but I suspect it’ll be an attractive ruin even if it does!
A final note for this post… when I went back through the stack of documents I collected (mostly from the internet) about weaving back at the start, I found a post I’d saved which at the time meant nothing to me. I liked the example cloth in the pics but it might have well been written in Venusian. This time I opened it, read it and at the end when ‘aaah, that’s how you do that’ *grin*
Technically I took this off the loom at the beginning of 2017, but most of the weaving happened in 2016 and as you can tell from the creases, it’s been languishing in a cupboard ever since. Why? Well, I was disappointed with it.
Unlike my first skinny shawl, the shaping on this one went haywire! Which was only my own fault for weaving when a bit tired (never a good idea). Still, it was nice to see the way the fringe (while unfinished still) worked and the overall weave was nice and even.
The lesson for me from both shawls is that shaping on the loom works, but needs maximum attention and preferably you should complete the project without any long gaps so you keep your rhythm. All good to know!